162 Royalty-Free Audio Tracks for "First Time"

- reading audio file(stereo sound)-the audio is played with the sharpen function diskin; at a speed 5 times greater;-noise filtered for 8 seconds; in which the butterbp filter is applied so that it can be heard more in one channel on another: in this case, more is heard on the right. During the first 8 seconds you hear the filtered noise with the audio at higher speed. During the next 7 seconds the wav audio is heard only on the right channel and the last 15 seconds the wav audio is heard. For the left channel.

This was recorded as part of a tracking shot for a project i did a few years ago. It starts off from the exterior of a fancy london pub around the primrose hill area, walking in to a fairly packed establishment. It tracks movement into different parts of the pub. There's fairly prominent music for the first half but it eases off to barely audible later on in the audio. A few minutes in, you'll hear the bartender announce the price (6. 95) a couple of times. Recorded on zoom h6 with x/y capsule.

This is the result of my big work with some samples from freesound and some samples that i made by myself. They were mixed all together and edited using lots of vst effects and software, reversed many times and mixed again, sampled in lo-fi quality and then again and again. . At first i wanted to use it by myself but then i thought: "why not share it with people? that can be useful. ". So please use it as you like, maybe you're an ambient or avantgarde music producer as me, and that can help you in your music. . Could be useful as a background. Enjoy!.

Squeaking old office armchair. I have recorded this sound using my ipad 3, and software is dictaphone by alon software, version 1. 7. 6. Recording quality setting: normal. It was recorded at my office in mexico city, i was looking for a kind of similar sound at freesound. Org, and since i did not find anything related, i decided to make my own sound effect and my first upload to your web. I lowered the ipad in my hand under the chair and swayed back and forth three times to achieve the tone i considered efficient. Recorded: august 31, 2019.

A beautiful call of the eastern phoebe. . . This call is also a very unique call in the bird-world. In the eastern and midwestern united states, these are usually the first to arrive in the spring. I have seen these many times as i hike in the deep woods, but this was a nice surprise for me to hear one, literally, in my backyard about 7 o:clock in the morning. I recorded this one in my backyard -- i live in a small town in a rural area. I caught this on my handy zoom h4n recorder, using its internal, built-in stereo microphones set on a record volume about 70. Enjoy. .

Sound recording of a two tier mini waterfall into my small fish pond. Recorded with a tascam dr-07 mk ii. 24 bit, 44. 1 khz, stereo. First 10 seconds is the raw recording. Note the 60 hz hum due to the water pump being just under the water fall splash area. The last 20 seconds is the processed audio using ableton live 8 affects rack and the following affects. 1. Notch filter – 60 hz applied two times. 2. Lp filter –knee at 1 khz3. Hp filter-knee at about 3. 2 khz4. Granular delay – bubbling sound5. Chorus audio effect-snap, crackly sound. 6. Reverb-cave echo affect-high wet/dry7. Utility- for stereo width.

Underhood recording of my renault 19 with oldish carburetted cleon engine (c2j). Double barrel webber 32 drt carb ~72ps engine. Start engine, tire skid, hard acceleration up to 6000 rpm and coast down to idle, several times. Throttle blips up to 7000 rpm. Mic: sony ecm-ds30p stereorecorder: sony mz-n707 mini disc, sp mode, agc: off. Wanted to test this cheap mic and custom made windscreen - this is my first car recording, and that's why i started with this cheap microphone, don't want to learn on expensive stuff. Still, i'm amazed how the recording turned out, it's $24 mic in not very silent area, yet it captured sound rather nicely. Windscreen (cost $0) turned out to be not that good :).

This is almost the same kick drum i´ve uploaded previously, but this has more compression and overtones in the sub bass, along with an interesting technique i´ve been doing, lemme explain. . . I put the original sample twice in my daw (fl studio if you ask),leave the first sound like it is and the second sample is being equalized in a way that only the sub bass is being showed, so i added to that the saturation plugin ivgi2 from klangheim industries and slammed it with the plugin ott by xfer records about 9 times. Equalized the sound again to cut the sub bass and leave the raw high end sound you hear, finally added an izotope ozone imager to make it wider.

I found this fairly small low area, in deep woods, with about 5 inches of water in it. I wouldn't really say it is a pond because it will probably be dry in a month or so after the spring rains. (i think ecologists would call this small body of water an "ephemeral" pond). These spring peepers were putting on quite a chorus as the sun was going down. You'll hear a different sounding frog - or peeper - several times in: at 9 seconds in, 13 seconds in and 15 seconds in. When i first heard it, it sounded like a creaky door! hope you find this fascinating and enjoyable as well. Would make a great soundtrack for a swampy piece. Recorded using my trusty rode ntg-2 going into a zoom h4n recorder.

The last breath of a creature, maybe a dragon, whatever floats your boat. I'm a game developer, but i also like creating sfx, and other cool stuff. So i was feeling like creating a small mmo for fun, but thought to myself;how on earth am i going to make all those sounds?so i searched a bit on the net for possible cool sfx techniques, and later on decided to just experiment with audacity myself. For this sound i recorded my own voice two times (i can make some weird sounds),and edited them in audacity. The result came out as some kind of dragon, and i was pretty pleased with it being my first organic voice. Use for whatever you like, a credit and a rate would be appreciated.

I wanted to create a sound that is scary. I was inspired by sounds for jumpscare sequences in horror movies. So here i generated an audio track and i added a « batterie risset » on it. It gaves a sound that sounds like a bell so i duplicated it 3 times more on 3 different audio tracks. Once done, i accelarated and turn up the volume on the second audio track a bit more compared to the first audio track. I repeated it on the 2 other tracks to give the impression that something is getting closer to us. After that, i generated a new audio track with a tone, i put it on overlap with the forth track and i highly turn up the volume to create a saturation in order to strongly surprise the listener. To finish, i checked that the final mixed track was not saturated, except the sequence i wanted to be saturated, and i exported the sound.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.